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NEW PROGRAM BY DAN MONDLOCH AND ARTEFACTO

Beyond Light and Shadow:

Painting Atmosphere in Watercolor

A foggy road on your morning drive or the last light on a beach can become your next painting, and Dan shows you how.


Learn to capture soft atmosphere, create luminous skies without heavy washes, and bring landscapes and figures to life with just a few fresh strokes.

1 sketch and 5 paintings · ~ 10.5 hours of HD video · Subtitles in 6 languages · Lifetime access

NEW PROGRAM BY DAN MONDLOCH AND ARTEFACTO

Beyond Light and Shadow:

Painting Atmosphere in Watercolor

Learn to capture soft atmosphere, create luminous skies without heavy washes, and bring landscapes and figures to life with just a few fresh strokes.

1 sketch and 5 paintings · Subtitles in 6 languages · Lifetime access

Our students name Dan one of the best instructors at Artefacto


Dan is a Signature Member of the Transparent Watercolor Society of America. He paints and explains each decision as he makes it, so the hard part becomes clear. In this program he shows you that atmosphere is not a special effect: it’s values and soft edges, and you can learn both.


From Dan: «The goal is to help students look more carefully at what is actually happening in the scene: how the values relate, where edges soften, how texture supports the effect, and what kind of light is present. Strong painting material can be found in familiar, everyday life».

Your paintings are fine, but they haven't changed in a long time, and fog or evening light still feel out of reach. Each module takes one kind of light, so you see the step up from painting to painting

The same water and the same paint give you a clean wash one day and mud the next. Dan shows you how to get the value you planned every time, and why it works

A beach with rocks, surf, and people feels like too much. You learn to see ten objects as one shape, and the scene becomes easy to paint

You follow a tutorial well, then a painting from your own reference looks lifeless. Dan's plan works on any artwork, and the final project puts it to work on five of your own

You keep fixing until the painting looks tired. Here you learn where to stop, so your paintings stay fresh and you want to show them

Module 1: Foundation

Every painting in the program starts here, with a plan you can see before you pick up a brush. If you're new to Dan, this gives you his base. If you took his first program, it's a quick refresher

1 lesson, ~ 30 min · Three values, value study and paint mix, preparing a reference, bonus photo examples of types of atmosphere
Lesson prewiew
Lesson prewiew
Lesson prewiew

Module 2: Atmosphere in the Landscape

Distance comes from values, not from detail. You paint mountains fading into the air and feel the depth open up

3 lessons, ~ 2 hours · 1 painting · Values in a scene, the right paint mix, depth with overlapping forms
Lesson prewiew
Lesson prewiew
Lesson prewiew

Module 3: Foggy Sunrise

Sunlight looks brighter when the colors around it are calm and neutral. You paint a road in the morning haze where the light seems to glow

3 lessons, ~ 2 hours · 1 painting · Soft gradations and texture for fog, values for distance, neutral colors around the light
Lesson prewiew
Lesson prewiew
Lesson prewiew

Most skies go dark because of the paint mix, not the color. You paint sun rays over a lake and keep the sky bright

3 lessons, ~ 2 hours · 1 painting · Reading the parts of a sky, a paint mix that keeps it light
Lesson prewiew
Lesson prewiew
Lesson prewiew

A busy beach gets easier when ten objects become one shape. You paint rocks, surf, and people without getting lost

3 lessons, ~ 2 hours · 1 painting · Elements of a beach scene, grouping objects into large shapes, simple figures in the distance
Lesson prewiew
Lesson prewiew
Lesson prewiew

Figures look alive when you paint the gesture instead of the features. You finish the program with people on the sand in the evening light

2 lessons, ~ 2 hours · 1 painting · Warm and cool color for glow, figures as gesture, less detail in sand and waves
Lesson prewiew
Lesson prewiew
Lesson prewiew

DAN’S METHOD

«Plan logically, paint intuitively». This is how Dan works, and how you will

  • Plan logically. Before the first stroke you know what kind of light you’re painting and where the light, middle, and dark values go
  • Paint intuitively. With the plan in place, you stop second-guessing and let the watercolor move

«Knowledge precedes ability. If you can see it, you can do it»

You paint at home, and you still get answers to your questions

(01)

Written feedback from curator on your paintings, in the Premium plan

  • Three detailed reviews of your finished paintings plus one creative assignment, within your first 90 days. Written by a professional curator — what worked, what didn't, what to change on the next sheet
  • Premium plan
(02)

Student community on WhatsApp

  • Daily conversation with painters working through the same four elements. Questions, work in progress, honest reactions. Moderated by our community team
  • All plans
(03)

Certificate of completion

  • Issued when you finish the course. Recognition of your work — usable professionally if your work touches the arts, and worth having either way
  • All plans
Choose Your Plan
Instructor
Dan learned to paint from his parents who followed his great-grandfather into art
  • Signature Member, Transparent Watercolor Society of America; exhibited at the National Watercolor Society International Show
  • Jean Stern Legacy Award, Laguna Plein Air Invitational; Best of Show at Grand Marais, Paint du Nord, and Hudson Plein Air
  • Featured in Splash 17 and 18, PleinAir Magazine, Watercolor Artist, and Southwest Art
  • Stage demonstrator at the Plein Air Convention; teaches in person and online
«We're not painting things. We're painting light and shadow on things»
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(01)

You see your own progress

Put your first and last painting side by side and the difference is clear

(02)

You understand why it works

When something goes wrong, you check the values and fix it

(03)

Clean fog, bright skies

Your paint mix gives you the value you planned

(04)

Busy scenes stop scaring you

You see the big shapes first and the details last

(05)

You paint without the video

Your own photos, your own light, the same plan

(06)

Six pieces you're proud to share

1 sketch and 5 paintings that look fresh, not overworked

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Everything Dan teaches at Artefacto in one order.

Available: November 7 to 13 only

Start with how light and shadow work, watch Dan paint four more scenes, then move into fog, haze, and golden hour

  • Beyond Light and Shadow. Dan’s new program: fog, haze, dramatic skies and golden hour. 6 modules · 6 paintings

  • The Art of Light and Shadow in Watercolor. Dan’s first program: where light comes from, how shadows work, and how to simplify any scene into three values. 15 lessons · 10h 45min · 4 paintings

  • 4 recorded Zoom demos with Dan. In each session Dan paints a full artwork: a waterfall with the damp paper method, autumn reflections with his color mixing strategies, winter streets where he shows how colors change next to each other, and a rocky shoreline simplified with Notan. 4 sessions · 4 paintings

14 paintings, with Dan explaining every step

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Not sure it's your level?

If after 1–2 lessons in the first week the program isn't right for you, we refund you in full within 14 days after purchase

Worried you won't find the time?

Each module takes about 2 hours and ends with a finished painting. One module a week, and in six weeks you're done. Your lessons never expire, so a busy week doesn't set you back

Afraid a painting won't work out?

Module 1 starts with the basics, and Dan explains every step as he paints. In Premium, the curator tells you what to fix

Start Learning

Materials for the Program

Use the brands you’re comfortable with, and choose artist quality over student grade where you can

  • Paper: 100% cotton, 140 lb (300 gsm) cold pressed or rough, quarter sheet 11×15. Dan paints on Arches

  • Paints: your usual watercolors plus white gouache. Dan shares his color list in the lessons

  • Brushes: one large, one medium, and one small round or flat, plus a rigger for fine lines

  • Extras: a sealed board or plexiglass 16×20, a natural sponge, a spray bottle, 4 bulldog clips, paper towels, and a pencil

Lots of flexibility with supplies, no need for exact items!

FAQ

Still have questions?

Our team is here to help. Not sure which plan is right for you? Just reach out — we'll guide you in a few minutes.

Contact us

READY TO PAINT THE LIGHT?

Next time you see a misty road or a beach at sunset, you will know how to paint it