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NEW ONLINE COURSE

by konstantin sterkhov

From Studio to World Stage: Your Route to Fabriano and Urbino

Join Konstantin Sterkhov and prepare your painting for Fabriano or Urbino in 2 months – with mentorship and recorded lessons from world-class masters.


*The criteria for exhibitions are applicable for the year 2025.

                    LIFETIME ACCESS


For many artists, participating in a major exhibition feels like a distant dream — something reserved for professionals with years of experience and endless connections. But that’s not true. This course is here to prove it.


Under the personal mentorship of Konstantin Sterkhov — internationally acclaimed watercolor artist, curator, and exhibition juror — you’ll learn exactly how to prepare and apply for world-class exhibitions such as Fabriano and Urbino. In just 2 months, you’ll be ready to submit your own application.


How do you stand out and get accepted? Which of your artworks will speak to the curators? How do you write an authentic artist statement and prepare your pieces for submission? You’ll find the answers, create 5 expressive artworks, and complete a refined application ready for the world stage — with expert guidance at every turn.

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  • An artist with over 30 years of painting experience and 20 years of teaching practice.
  • A participant of оver 200 international and 10 solo exhibitions, member of the jury for various international competitions, including “Fabriano”.
  • His paintings are placed in museums, private and corporate collections worldwide.
  • A participant of such prestigious international exhibitions as “World Watercolor Masters”, “National Watercolour Society, Royal Society of Marine Artists”, “Fabriano”, “Royal Institute of Painters and Watercolour”, “Reinterpretation”.
  • A brand ambassador of the leading producers of art materials (Daniel Smith, Roubloff).
  • A member of the Watercolor Society of Finland.

Session 1.

A View from Within: How to Get Selected for Fabriano & Urbino

“November 5”


  • Understand how Fabriano and Urbino differ in focus, format, and selection

  • Learn what juries really look for in submitted works

  • Make a painting that reflects the standards and mood typically appreciated by curators of exhibitions.

Session 2.

The Final Touch: From a Good Painting to a Remarkable

“November 19”


  • Get feedback from Konstantin, see your strengths and areas for improvement

  • Receive clear, professional guidance on final edits essential for your success

  • Learn how experts evaluate artworks during exhibition selection.


Session 3.

Let Your Art Speak: Writing a Statement That Captures Attention

“December 4”


  • Learn how to craft a clear and expressive Artist Statement that truly reflects your creative intent

  • See how to photograph your painting so it looks professional and convincing to the jury

  • Learn from real examples of successful and unsuccessful applications and get practical tips for preparing your own materials for submission.


Session 4.

Ready to Shine: Your Final Step Before the Exhibition

“December 18”


  • Learn about the final steps of submission to the Fabriano and Urbino exhibitions – see how to complete the online forms and check every detail before sending your application

  • See what happens after your work is selected, how to prepare it for shipping and display, and how to stay calm and motivated while waiting for results

  • Enjoy a short demonstration without pencil outlines.


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Certificate of completion (for Premium Plan)

Upon completion of the course for the students of Premium plan we issue a certificate. The certificate could be used as a proof of your qualification's upgrade at work (if it is related to arts) and for your private affairs as a recognition of your mastery in painting. 

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Which materials do you need 
for the course?


  • Watercolor paper А3  preferably cold pressed, 300 g
  • Brushes: Big round or cat tongue №12-14, medium round pointed №7-10, wide flat №30-35
  • Paints: Yellow Ochre, Raw Sienna, Sedona or Burnt Sienna, Ultramarine, Verditer Blue or Cobalt Blue, Neutral Tint, Manganese Blue or Phtalo Blue, Burnt Umber, Pirrol Scarlet, Pirrol Orange, Turquoise Ultramarine or Veridian, Lavender, Wisteria
  • Hardboard and a paper tape to fix the paper if the paper is not fixed in a block
  • Pencil, eraser, wax crayon or candle, masking fluid or a masking pen, container for water, napkins
  • Hairdryer
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