We will do a quick exercise to understand how a dry or wet surface works, using different references. 

Quick value study for farm house where we will learn how to make smooth transitions of shapes. We will see where the shadow falls and where the lighter areas are.

Quick color work for the farmhouse from the previous lesson, in which Andy will show how to achieve smooth color transitions, how to technically combine multiple colors to avoid muddy and unconnected spots in the work.

We will learn how to work in one of the complex techniques "wet on wet", doing work with the sky, without details. 

The theoretical part about tonal value and why its important. Andy will show examples of his tonal studies and references and explain how to simplify, how to highlight the main thing in a scene, etc.

We'll make a small simplified pencil drawing and complete the tonal study of a winter scene, highlight deeper shadows to convey volume, and learn how to simplify the reference. 

We will analyze another, not less complicated reference, learn how it can be simplified while retaining the main figures of the scene, make a tonal study of the street with a cat and a bicycle, find big shapes.

We will analyze the first type of sky in the wet on wet technique. We will paint blue sky with clouds, learn that white clouds have their own tone and learn how to take the right tone to depict white clouds realistically. 

We will paint a stormy sky in the wet on wet technique, learn how to create an illusion of sun between the clouds, how to create an effect of storm.

In this lesson, we will paint a sunset sky in wet on wet technique, Andy will share his tips on how to paint such sky and why to do the work upside down, we will talk about how to avoid wrong shades when mixing blue and red.

Learn how to paint trees with soft edges, how to paint shadows, trunks, use scratching for light parts.

In this lesson, we will learn how to paint winter trees without leaves, applying a dry brush technique on a dry surface.

Andy will show techniques for creating a realistic palm tree that can be incorporated into your seascape. We learn how to paint a palm tree with a dry brush technique to create realistic foliage.

In this lesson, we will learn how to properly paint conifers. We will learn how their branches grow, how to create the effect of pine needles with a dry brush.

In the first lesson, we will paint calm water and talk about how to make reflections. Andy will show an example of how easy it is to paint boat, and we will learn how to connect the boat and reflections to make it look solid.

In the lesson with the waterfall, we will learn how to depict rocks using the dry brush technique. We will learn how to depict water dynamically. We'll learn how to create the effect of falling water by painting dark rocks around it. 

In this lesson, under Andy's guidance, we'll learn how to paint a wave. We will learn how to depict a splash with a dry brush as well as without a masking fluid. Make reflections and talk about how to connect shapes.

We will learn and put into practice the effect of slipping a dry brush to depict sparkle and glare on water without any reservation of these areas.

In this lesson, we will talk about how to paint horses. How to work with middle value, make a shadow, learn where to simplify and how to connect all shapes.

In this lesson, we will paint cows and learn how to connect cow shapes with backgrounds, avoiding muddying the color mixing.

Here we will learn how to paint white sheeps simple and effective to create the effect of a detailed scene without overworking.

In this lesson, Andy gives the theory by showing the references that he will work on in the next lessons, talking about how to depict the shadow on buildings, how to simplify architecture that looks complicated. 

In this lesson, we'll explore the relationship of shapes in the painting, and we'll talk about how to understand the vanishing point. Andy will show how to draw a car. Also in this lesson, we will talk about overworking shapes and how to make ordinary things extraordinary.

We will study negative painting, try to find middle tonal value. We will learn how to correctly connect different shapes in a painting, such as figures, buildings. We'll talk about light and shadow and learn how to simplify a complex reference. 

Learn to work with a complex structure by simplifying its shapes. We will learn to reflect in the process of painting. We will apply the acquired knowledge of finding big shapes.

In this lesson, we will learn how to paint figures without too much detail. We will paint a couple under an umbrella, try to find loose connections of shapes, map shadows.

Learn how to paint figures without reference and without pencil drawing. We'll learn how to add people to the background, how to create an illusion of multiple people with just three figures and a few abstract brush strokes.

We will make a value study for figure, learn how to find big shapes, learn how to work with soft edges. We will work with big brush for big shapes. We’ll learn how to connect the shapes to the background so that it looks harmonious.

In this lesson, we will define what is light, where is a shadow. We will make a value study of a man with a boat. 

We will learn how to depict dramatic light, learn how to work with a reference with strong light & shadow.

We will explore the theories of nocturne painting based on Andy's work. We will learn how to paint a night scene on the seashore, depicting the lights of houses in the background, reflections on the water. Andy will also show how to paint the moon.

We continue to paint that scene. We’ll create the texture of sand, paint the boats, use the technique of dry brush for rocks and trees, add figures.

We will make a simplified drawing. Paint a scene in the wet on wet technique, make the first layer. We'll learn how to draw light from a streetlight, make soft edges, and add contrast.

We will continue painting the scene, adding here a dramatic night sky and adding some shapes without too much detail.